Books published by publisher Hippocampus Press

From the award-winning writer of The Fisherman comes a new collection of stories. A pair of disgraced soldiers seek revenge on the man who taught them how to torture. A young lawyer learns the history of the secret that warped her parents’ marriage. A writer arrives at a mansion overlooking the Hudson River to write about the strange paper balloons floating through its grounds. A couple walks a path that shows them their past, present, and terrible future. A woman and her husband discover a cooler on the side of the road whose contents are decidedly unearthly. A man driving cross country has a late-night encounter with a figure claiming to be the Devil. And in the short novel that gives the collection its title, a woman chases a monster in a race against time.

John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “The Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.

As the second volume of S. T. Joshi's comprehensive biography of H. P. Lovecraft begins, we find Lovecraft dwelling in misery in a one-room apartment in Brooklyn Heights: his wife, Sonia, has had to move to the Midwest for work, and he must rely on the companionship of the Kalem Club, the informal band of friends in the New York area. In 1926, in part through the intervention of his close friend Frank Belknap Long, Lovecraft finally decided to return to his native Providence, Rhode Island, effectively ending his marriage. That return spurred the greatest spurt of literary creativity he would ever experience: in less than a year, such works as "The Call of Cthulhu," The Dream-Quest of Unknown Kadath, The Case of Charles Dexter Ward, and "The Colour out of Space" would emerge from his pen, establishing Lovecraft as the leading weird fictionist of his generation. In spite of his increasing poverty, antiquarian travel occupied much of Lovecraft's time, and he gained an impressive knowledge of such oases of antiquity as Charleston, Quebec, St. Augustine, and Richmond. These voyages both renewed his connection with the past and infused his literary work, as such later tales as "The Whisperer in Darkness" and "The Shadow over Innsmouth" drew ever more profoundly upon his far-flung travels. Intellectually, Lovecraft evolved as well. Recent developments in science confirmed his materialism and his atheism, and the onset of the Great Depression gradually caused him to reassess his political and economic theory; he emerged as a moderate socialist and advocate of the New Deal. Late in life he became a giant in the world of fantasy fandom--a development that foreshadowed his worldwide fame in the decades following his early death.

"This book is a treasure trove for lovers of literary horror fiction."—Publishers Weekly Starred Review From the award-winning writer of The Fisherman comes a new collection of stories. A pair of disgraced soldiers seek revenge on the man who taught them how to torture. A young lawyer learns the history of the secret that warped her parents’ marriage. A writer arrives at a mansion overlooking the Hudson River to write about the strange paper balloons floating through its grounds. A couple walks a path that shows them their past, present, and terrible future. A woman and her husband discover a cooler on the side of the road whose contents are decidedly unearthly. A man driving cross country has a late-night encounter with a figure claiming to be the Devil. And in the short novel that gives the collection its title, a woman chases a monster in a race against time.

"I want to be like John Langan when I grow up, okay? He blends meticulously crafted traditional narratives with joyous genre-bending and narrative rule-breaking. His stories are fiercely smart, timely, timeless, heartbreaking, and of course, flat-out scary. Langan fearlessly commits to his monsters, his characters, his readers, to his vision of the horror story and the messed-up, broken, frightening world we inhabit. Wide, Carnivorous Sky, indeed."-Paul Tremblay, author of The Little Sleep and Swallowing a Donkey's Eye. John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as "Technicolor," an ingenious riff on Poe's "Masque of the Red Death"; "How the Day Runs Down," a gripping tale of the undead; and "The Shallows," a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, "Mother of Stone." With an introduction by Jeffrey Ford and an afterword by Laird Barron.

Lovecraft's writings in the realm of literary criticism are unfailingly acute and cover a surprisingly wide range. Besides his authoritative early essay on "The Literature of Rome" (1918), other works condemn free verse and simple spelling, and devote attention to neglected poets. Discovering weird fiction as his chosen field, he produced such scintillating essays as "Lord Dunsany and His Work" (1922) and "Supernatural Horror in Literature" (1927), along with essays on Frank Belknap Long and Clark Ashton Smith. Late in life Lovecraft codified his grasp of weird literature by writing such trenchant pieces as "Notes on Writing Weird Fiction" (1933) and "Some Notes on Interplanetary Fiction" (1934). One of his last writings, "Suggestions for a Reading Guide" (1936), is a comprehensive discussion of world literature. H. P. Lovecraft has belatedly received world renown as the twentieth century’s premier author of supernatural fiction; but during his lifetime he wrote far more essays than stories. This edition gathers Lovecraft’s complete nonfictional output for the first time, arranged in broad thematic groupings. S. T. Joshi, the world's leading authority on Lovecraft, exhaustively annotates all texts, also providing critical and bibliographical notes.

In this first volume, Lovecraft's relations to one of his most prominent colleagues and disciples, August Derleth (1909-1971), are recounted in the hundreds of letters they exchanged beginning in 1926. The youthful Derleth first wrote to Lovecraft, via [i]Weird Tales[/i] magazine, in regard to an obscure work of weird fiction, and their subsequent correspondence deals extensively with the history of weird fiction, the two authors' ongoing attempts to publish stories in pulp magazines, Derleth's evolution into a sensitive writer of regional fiction and of detective stories, and debates over such issues as spiritualism, occultism, the literary use of coincidence, points of language and style, and other matters. Especially noteworthy are several letters by Lovecraft that Derleth interpreted as giving him permission to elaborate upon Lovecraft's pseudomythology, which Derleth named the "Cthulhu Mythos." All the letters are exhaustively annotated by David E. Schultz and S. T. Joshi.

From the award-winning writer of The Fisherman comes a new collection of stories. A pair of disgraced soldiers seek revenge on the man who taught them how to torture. A young lawyer learns the history of the secret that warped her parents' marriage. A writer arrives at a mansion overlooking the Hudson River to write about the strange paper balloons floating through its grounds. A couple walks a path that shows them their past, present, and terrible future. A woman and her husband discover a cooler on the side of the road whose contents are decidedly unearthly. A man driving cross country has a late-night encounter with a figure claiming to be the Devil. And in the short novel that gives the collection its title, a woman chases a monster in a race against time.